This will probably be the shortest editorial I’ve written, as it is an easy argument to make. My view is – and this is something I’ve personally stressed to friends and family for years – buying an “original” movie or television prop or costume as a gift is a well-intended but very bad idea. [Read more…]
I’ve noticed a number of trends on the rise of late, in the marketing and sale of original movie and television props and costumes in the marketplace, that are to the detriment of consumer hobbyists. [Read more…]
This is the first in a series of articles intended to discuss and build upon the tools of authentication: concepts, terminology, definitions, analysis, and more. While Certificates of Authenticity, or “COAs”, have been the topic of a number of previous articles, the scope of this feature is to define and categorize COAs by 1) their source and 2) their function. [Read more…]
One thing many collectors do not consider are the potential (unfortunate) “what if?” possibilities we can encounter in buying and selling original props, wardrobe, and other artifacts from film and television.
In the event a problem arises, it is best that both Buyer and Seller have a common understanding of the consequences and responsibilities.
Also, there are areas in which specifics are often not addressed or clarified appropriately, such as ancillary costs and other details beyond the “purchase price” (i.e. shipping costs, shipping method, etc.).
I recently developed an “Original Prop Purchase Agreement” for one of my own purchases, so I decided to simplify it, convert it into a more basic template, and offer it here as a tool for other collectors to consider, edit, amend, and/or employ however they see fit: [Read more…]
What follows is a summary view of my perspective and personal opinion of the hobby, looking back at 2007. It has been a very interesting year, with a lot of activity and stories and experiences. [Read more…]
One of the most inherently problematic props, in terms of issues with authenticity, are of the “off the shelf” or “found” variety.
What are “off the shelf” props?
Props, wardrobe pieces, set pieces, and any other artifacts used in a production that are:
1) Mass produced (past or present),
2) for non-production purposes (i.e. not specifically manufactured for use in the production), and
3) are or were available for purchase from those not associated with the production. [Read more…]
I’ve received some interesting responses to the article posted earlier today, Trend: The “Hype Premium”.
Some have pointed out that part of the reason for the significantly lower price realized on the Spider-Man mask yesterday (to coincide with the home video release), compared with the one sold back in May (during the theatrical release), is in part due to the eye lens being missing on the more recent auction. [Read more…]
A trend that comes and goes with the theatrical release of hit films (and sometimes not so “hit” films) and “hot” films (i.e. a small but enthused following) is that of “Hype Premium”. This trend manifests itself in conjunction with the theatrical release of films that include complimentary promotion in the form of prop offerings by the studio or studio affiliate. Well, I just now made up the terminology – “Hype Premium” – but it’s descriptive enough…
This is an oft discussed trend – even in the midst of it actually occurring – but it rarely fails to deliver.
Companies like Hollywood Vault and Premiere Props often schedule auctions by 1) offering props from films at the time of the theatrical release and then, 2) offering additional props later, at the time of the DVD release.
This is done to maximize promotion of the film (in theaters and for home video release) via the sale of props and wardrobe pieces.
So what does this have to do with the “Hype Premium”?
The “Hype Premium” is the difference in price realized for the same or similar items offered at the theatrical release compared with the home video release. [Read more…]